8th Irish Variety in Chemistry Teaching Meeting

DIT played host to the 8th Irish Variety in Chemistry Teaching meeting, modelled on the very successful UK Variety in Chemistry Education (ViCE) meeting on Thursday May 10th. There was a workshop in the morning covering two aspects of technology in chemistry teaching; using wikis, by Claire McDonnell, who demonstrated how to set up, edit and modify a wiki, along with highlighting the advantages of a wiki for monitoring group work – the ability to be able to track who did what and when. Claire identified this as the most useful aspect of wikis from her perspective in teaching. My own part of the workshop was on podcasting using Audacity, as outlined in the recent article in Education in Chemistry.

The remainder of the day was divided into two themes, Supporting Student Learning, and Broadening the Curriculum; followed by the keynote talk from David McGarvey at Keele.

Supporting Student Learning

There’s no doubt technology is becoming more and more common-place in chemistry education to support student learning. Christine O’Connor (DIT) opened this session describing her implementation of the use of podcasts to support lecture material and annotate worked examples. Her ongoing work involves investigating how students use these resources; some key points were that students liked the audio files with their lecturer’s voice, but they liked having print outs too as they could quickly scan through that material, which they can’t do with audio files.

Simon Collinson (Open University) described his work with Eleanor Crabb on the use of online chat-rooms to run tutorials (using Elluminate). The software allowed for voice, video, drawing and text from both instructors and students. Simon reported that while students liked the chat function, he was worried that with a large group the text box may get distracting. While students liked the idea of a microphone, they were reluctant to use it “on the spot”. Simon’s interested in looking at how providing students with some advance material ahead of the chat-room sessions might help reduce the cognitive burden involved in both being online and thinking about chemistry.

Pat O’Malley (DCU) used Articulate to prepare some pre-lab activities for students. Some clever ideas here included a virtual map of the lab, with Articulate Engage used to annotate the image so that students could navigate around the lab and familiarise themselves with where things were kept. along with videos on various techniques, he had a nice resource on how not to use a pitpette, along with the result of a broken pipette meeting with a hand and some red stuff appearing. Pat assured us no students were harmed in the filming. In terms of getting students to use the resources, Pat described how he made some questions very specific to the resources, for example; what label (a) referred to in a particular slide.

Finally in this session was Mike Casey (UCD). Mike described the implementation of a student poster assignment, whereby the student had to take a medicinally relevant drug and make a poster on it, including the chemical structure, 3D structure, annotate functional groups in the drug and illustrate some physical properties. The students had to independently use resources to work out how to draw the structure and prepare the PowerPoint slide so it had a professional feel. What was most impressive was that this assignment was administered to class sizes of up to 450 students, and achieved a 96% completion. This was facilitated by using a lab session to introduce the assignment, and assign lab tutors to help students with queries. Each student gave a 5 minute presentation where the core organic chemistry of the slide could be discussed. It was a really simple, effective strategy, and Mike showed some clever ways of highlighting Ireland’s role in the development of pharmaceuticals.

 Broadening the Curriculum

The second session of the afternoon was on the theme of broadening the curriculum. First up in this category was Tina Overton (Hull) who took us through some of her work on dynamic problem-based learning. The idea is that after presenting students with their problem and context as in a normal PBL scenario (for example, designing a green-campus, costing the impl,emtation of bio-diesel for a bus company), students are given some condition change mid-way through the project—for example: changing costs of materials, changing legislation, a natural event (e.g. earthquake), etc. Students would then have to re-assess the intial information they rquested and see how to adjust their project given the changing conditions. All of this was carefully implemented through well-organised card system, which probably accounted for the fact that students didn’t seem to mind the changing conditions, which they were not expecting. Feedback from students was positive. Tina is making several of these resources available on the RSC’s website later in the year.

Marie Walsh (LIT) spoke about her involvement in the “Chemistry is all around us” project—an evolving network of chemists from around Europe collating resources for chemistry education. The website from the original project is http://www.chemistry-is.eu/and the new project is focussed on three themes: (1) Students’ motivation; (2) Teacher Training; (3) Successful experiences. The new website is being developed at http://projects.pixel-online.org/chemistrynetwork/info/index.php.

Odilla Finlayson (DCU) spoke about integrating research awareness into the curriculum, by getting students to talk to research staff and postgraduate students. The process was organised through a lab-session where students would meet researchers in their teams and find out about their research/process of research, and then report their findings in a group presentation. Students reported that they liked the idea, and were much more aware of the research activities within the School.

Keynote Speaker

David McGarvey (Keele) was the meeting keynote speaker, having won the 2011 RSC Higher Education Teaching Award. David gave a broad ranging talk covering various innovations he has initiated over the last number of years. These included developing context-based spectroscopy labs using sunscreens as a basis. As well as experimentation, the labs involved preparing a poster, completing a simulation on sunscreens depending on location in the world. One of the other novel features about this project was getting students to complete a mock assessment exercise using provided assessment criteria, so that students could really get a feel for how the assessment worked. David’s work on sunscreens is available in full at this Education in Chemistry Article.

Another project described was some impressive work with audio feedback. In the example shown, students had to prepare a poster on a set of lab experiments involving glow-sticks. Rather than just providing feedback after submission, students were offered interim feedback on their work. This was done using audio feedback, recorded with annotations using a tablet PC on the student’s work. David played a few of the sequences, showing the student’s interim submission, his feedback, and the student’s final submission incorporating the feedback points. It was very impressive, and a nice antidote to the notion that students don’t take feedback on board. Perhaps it might be better as a rule to give feedback on an interim basis rather than at the end? David’s work on audio feedback is available from page 5-9 in the July 2011 issue of New Directions [PDF].

David also managed to find some time to talk about his screencasting work, whereby he uses Camtasia to record screencasts to cover material causing difficulty to students, worked examples, etc. He recommended the use of a table of contents feature to allow easy navigation for students so they could jump to the section they wanted to listen to. David has also used screencasts as a means for feedback, in a collaborative project with Katherine Haxton, also at Keele (see New Directions, July 2011, p 18-21).

Thanks to all for a great day. The presentations will be available on the conference website by end of May.

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LiveScribe Pen Review: Don’t

Update: See comments below

I recently bought a Livescribe pen with the aim of creating “Pencasts” – videos of pen writings aimed at online tutorials for demonstrating calculations, annotating diagrams etc – effectively screencasts on the fly.

Unfortunately, someone who makes decisions in Livescribe has decreed that the pencast (the video and audio) output will be a proprietary format. After recording pencast, they can be exported to a PDF (final visual only), or uploaded to a space on the Livescribe website. I wanted to be able to export the pencast raw file to Camtasia to do a bit of post-production, incorporate the pencast into a more complete resource. Not possible. I tried cracking the pencast but couldn’t get it done. This renders it useless for this application.

I just can’t understand why Livescribe don’t allow an .mp4/avi type output. The only way around it is to play the pencast using the proprietary software and record the screen using Camtasia—but that’s just one step too many.

So now I have a pen that records what I write and makes a nice PDF—so if you want to have a page of written material electronically without the bother of scanning it in, then Livescribe is for you. If you think you can spend €180 more wisely, then avoid it. An extra negative is that the pen is quite bulky, and sore to write with after a while. I would put up with that if it produced a video output I could use, but I have a feeling this particular gadget is going to gather dust in my drawer.

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Heat of Reaction (Calorimetry) Video

Here’s a video made to explain the concepts of reaction calorimetry carried out in school/early undergrad chemistry. It’s a simple experiment, but students sometimes find the calculations hard, especially in relation to heat loss to the calorimeter.

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8th Variety in Irish Chemistry Teaching Meeting – DIT 10th May

The Chemistry Education Research Team wish to invite you to the 8th Variety in Irish Chemistry Teaching Meeting which will be held in DIT Kevin St on Thursday 10th May 2012. The meeting is sponsored by the RSC Education Division Ireland.

Programme and Call for Abstracts

The aim of the meeting is to allow those teaching chemistry at third level to share “what works” – useful ideas and effective practice from their own teaching.

The keynote speaker is Dr David McGarvey, University of Keele, who was the 2011 RSC Higher Education Teaching Award winner.

A call for abstracts is now open for short oral presentations (10 – 15 minutes) on any topic related to teaching and learning chemistry. The deadline for abstracts (150 words maximum) is April 5th 2012.

Attendance is free, but registration is required. Registration forms for those intending to attend/present can be downloaded here and should be submitted by April 5th 2012 by email to michael.seery@dit.ie

Workshop

An optional workshop will be held on Thursday morning (10.30 – 12.30 pm) on the topic “Using Technology in Chemistry Teaching and Learning” and will cover the following topics: “Podcasting and Screencasting”, “Using Wikis in Chemistry Education”, and “E-assessment”. The cost of the workshop is €10.

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Robert Boyle and The Sceptical Chymist

The National Library of Ireland’s new installment of their Discover exhibition, focusing on science, is called Particles of the Past. One of the centre-pieces of the exhibition is a copy of “The Sceptical Chymist” by Robert Boyle, published just over 350 years ago. The story of Boyle is a fascinating one, as it interweaves through a turbulent part of Irish history as well as an enlightening time in the development of science, heralding a new era of chemistry. Yet beyond Boyle’s Law, I have to admit I never knew too much about the “Father of Chemistry”.

Boyle’s father, Richard Boyle, was not born wealthy, but as a student in Cambridge, saw an opportunity in the turbulence in Ireland in the late 16th century, caused by the Elizabethan wars. In Munster, the Desmond dynasty was removed and land provided to English Royalists. Boyle arrived with just £27 3 s in 1588, the same year the Spanish Armada left to conquer England. After marrying the daughter of the Irish Secretary of State, Boyle was awarded several titles of nobility and a huge estate, centring on Lismore, Co Waterford. His son, Robert Boyle was born on Jan 16th, 1627, two years after the succession of Charles I. His father was extraordinarily wealthy by this time, earning £250 per day, and was one of the largest owners of land in the Empire. Boyle was sent to an Irish family for nursing (he was the seventh son and the fourteenth child in his family). He must have been exposed to a lot of Irish (Gaelic) as later in life, he personally paid for a printing of an Irish version of the bible.

Soon after returning home from nursing, Boyle’s mother died, and he was sent with his brother to Eton in 1636. Being “Irish”, and having a slight stammer, he did not fit in well, and spent most of his time reading. By 1640, the two boys were brought on a tour of Europe by a French tutor, including a visit to Galileo in Florence. Religious strife at home, culminating in the rebellion of 1641 meant that Boyle’s father’s wealth greatly diminished due to the cost of war. He died in 1643. Facing civil war at home, Charles arranged for a ceasefire so that his Royalist soldiers could return home to fight parliamentarians. The Royalists lost, and Oliver Cromwell, leading soldier in the parliamentarian army was soon dispatched to subdue the Irish rebels, arriving at Drogheda in 1649, and travelling through the rest of the country in the following years. One of the men to come with him was William Petty, who acquired the great Shelbourne/Lansdowne estates in Kerry. Boyle became a friend of Petty, but found that he could not continue his interest in scientific research in Ireland. Having inherited a property in Devon on his father’s death, he moved to Oxford in 1654.

His education to date had been quite erratic, so Boyle’s early years at Oxford were served as an “apprenticeship” working with Peter Sthael and Rosicrucian. Boyle’s first major piece of work was published in 1657, “On the Spring and Weight of Air”, although it is now generally acknowledged, that this was primarily the work of Robert Hooke – a fact Boyle made clear in the second edition of the corresponding publication.

By 1660 the monarchy had been restored, and Charles II established formally the Royal Society, which had been made up of an informal group of intellectuals, including Boyle, Hooke, Petty and others, called the Invisible College. Persuaded by friends, an initially reluctant Boyle published huge amount of material through the Royal Society, so much so that scholars now consider that he directed a lot of research, rather than completing the experiments himself; in much the same was as modern “principal investigators”. (I like to think of Boyle as the first equivalent of the modern Principal Investigator, and Hooke his first post-doc!) Among these publications was, in 1661, The Sceptical Chymist, the result of 10 years experimentation. It would usher in a modern era of chemistry… slowly…!

References

Journal of Chemical Education has some nice articles on Boyle over the years: 2009, p. 148, 2003, p. 487, 1951, p. 178 (excellent article)

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Podcasting in Chemistry Education

My article on podcasting for chemistry has hit the shelves and has made the cover of Education in Chemistry. They have put it online too for free so, click on the image to go to the article!

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Croke-22

Somewhere in the Ministry of Magic or Death Star One, or wherever they Make The Decisions, someone is having a great laugh at our expense. According to the terms of the Croke Park Agreement, lecturers are required to meet with their students and that meeting slot must be a timetabled hour. Therefore I have a sign on my door, saying I am available at a particular hour. Before the glorious Croke Park Agreement came into effect, I was available to meet my students all the time, and still am now. But if I was the kind of student I was when I was a student (if you see my meaning) well then if I went to a lecturer’s door and saw a sign saying “Available Wednesday 5 – 6 pm!”, well I would understandably not want to disturb my lecturer from his sherry-drinking at other times.

To really tighten the screw, our friend Through the Looking Glass has thrown in a twist. It is of course impossible for the timetable to allow for an hour when all the students I teach will be free, never mind to replicate this miracle for all teaching staff and all students. Middle management are left holding the baby – they must ensure the Croke Park Agreement is implemented, even though it is an impossibility.

So I have an hour when I must see the students, even if the students can’t be there. This contrasts with the situation before—obviously unsatisfactory because they changed it—when I was available to students to come and see whenever they wanted. Thanks to our increasingly competitive work-practices, that ridiculous situation has now changed, and I am available for just one hour instead of all hours.

 

As an addendum, Bernie Ruane’s letter to the Irish Times last Saturday was incorrect. It forgot that the Croke Park Agreement added two extra hours onto all lecturers’ timetables, and an additional student meeting hour.

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Making and Characterising Silver Nanoparticles

Here’s a video demonstration of how to make silver nanoparticles, and change their colour easily by adding silver ion to a seed solution. Colour is monitored by UV/visible spectroscopy and some particle sizing is done by dynamic light scattering and TEM (transmission electron microscopy). This is a short overview video of a much larger interactive resource that will be published soon as part of the RSC HE STEM project. It’s also related to the Nanotechnology Workshop we developed for schools [PDF].

 

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Using WordPress for E-Portfolios

Overview

The Resource Pack aims to show how WordPress web publishing platform (WordPress.org) can be a useful tool in creating and presenting e-portfolios. It aims to show what can be done technically to integrate various elements of an e-portfolio: the documentation of learning, conversation with peers and tutors, and presentation of the ‘product’ for assessment and/or feedback. [Jan 2012] You can download a PDF of this guide here: WordPress for E-Portfolios.

Introduction

E-portfolios are a popular method of documenting and presenting learning that has occurred in a module. They are promoted for this purpose as they provide a means to record both the process of learning—thoughts, learning, and reflections that occurred during a learning experience—as well as the product—the showcasing of that learning for review or assessment. Components of an e-portfolio may include digital media, comments and reflection, statement pages such as statement of philosophy & prior learning, etc. Often these components may be categorised by themes or modules on a particular programme of study. The portfolio as a whole can lead to a large back of digital objects, which during or after the period of study, will need to be presented in some coherent way. This Resource Pack aims to provide suggestions and mechanisms to assist in compiling and presenting these digital objects in an easy and scalable manner using WordPress.

WordPress is a web-based software used for publishing websites. Rather confusingly, there are two: WordPress.com which is mainly used as a blogging platform, where all material is hosted by WordPress; and WordPress.org which has extensive additional features (Plugins) which extend it beyond blogging use. wordpress.org is self-hosted; the user provides their own webspace for putting the material online. This document relates to WordPress.org.

Installing and Set-Up

Fig 1: Log-In Screen

WordPress.org is self-hosted, so the user needs to arrange their own webspace (I use Blacknight who are reasonably priced and reliable, and have WordPress pre-installed) or arrange server space with their institution. Once installed, the Administration (Admin) page can be accessed through the page www.example.com/home/wp-admin where there web address www.example.com/home is the URL established during installation. This prompts for a login, which again was set during installation.

Once logged in, the user is presented with the Dashboard. This can be a little daunting at first sight! However, the key elements that are used are Posts and Pages. These are discussed below.

Figure 2: Typical WordPress Dashboard

Privacy

When starting out, many users do not want their portfolio to be viewed by anyone else, except perhaps their tutor and/or peers. There are various levels of privacy available.

  1. Search Engine Privacy: The built-in privacy feature with WordPress allows you to block search engines finding your portfolio. Therefore, to access your site, someone would have to know the exact URL. This is achieved by selecting Settings > Privacy > “I would like to block search engines, but allow normal visitors”. This will add the phrase “Search Engines Blocked” to your dashboard, as shown in the example above. However, the portfolio is still available to view on the web for anyone who knows (or guesses) the URL.
  2. Total Lockdown: In order to have the portfolio available only for whomever the user decides, it is necessary to download a Plugin. There are several available. A rather blunt but effective one is “WordPress Password” which allows a site-wide password to be entered before viewing. To obtain this plugin, select Plugins > Add New > and search by Term for the Plugin name. Click Install to download the plugin to the website and then Activate make your plugin active. You can deactivate the plugin at any time in the Plugins menu. Now any visitor to your site will have to enter this password to access the portfolio. Other methods of restricting access (for example by requiring User Log In) are available.
  3. Selective restrictions: It may be desirable to have certain elements of the portfolio accessible, and others restricted. There are a range of options available here, and they are discussed in the Presentation section below.

Arranging Content: Pages and Posts

Content can be added to WordPress in two ways: on a Page or on a Post. Pages are permanent, generally with content that remains fixed (although we will exploit some useful page plugins, below). Therefore pages can be considered as the main structure of the website. For example, there may be a home page, an About Page, and other pages relevant to the portfolio—perhaps sub-home pages for each module in a programme, or pages covering various components such as a Teaching Philosophy, Prior Learning and so on. While pages can be added at any time, it is worthwhile planning out what pages you plan to consider for your portfolio. This is discussed below.

Posts are updates to the website that are time stamped, such as in a blog. Usually posts appear on one section—the blog—in reverse chronological order. In a portfolio, posts are usually dynamic in nature—blog posts considering thoughts and reflections in time as the user progresses through their learning. They are usually used to demonstrate evidence of engaging in the process of learning. As posts are usually written in time, they may not form a sequential series of thoughts related to one module or one concept, rather they reflect what the user was thinking about at any one time. Therefore in the presentation element of a portfolio, posts would not be read in order, and need to be available to be called up as required at various points in pages or other presentation elements.

Building the Portfolio

Figure 3 shows a simplified template for an e-portfolio. In this scenario, there are two modules being shown in the e-portfolio, along with a Teaching Philosophy, a blog and an About page. Module 1 has several sub-pages; a page which will selectively compile all blog posts related to a theme called “Category B” (and only this category), a sub-page containing a digital artefact—e.g. an essay, audio, picture, video and so on—and a sub page containing a Bibliography of web links or links to journal articles. Finally, there is the Blogroll, which has all the posts made on the blog. The details about how to construct this architecture are provided below. Although this is a simple scenario, it covers most of what would be required in a scaled-up version of an e-portfolio.

Fig 3: Template for Organisation of a Portfolio

Page Architecture

First, we will create the pages required. After installing WordPress, two pages will be apparent—a so-called Home Page (although this is actually the Blogroll) and an About page. Therefore we need to first create five more top level pages according to Figure 3: an actual Home Page, and pages for Module 1, Module 2, Teaching Philosophy, and the Blog. To create a Page, select Pages > Add New and type the page name in the title bar. There is no need to add content yet, but if you like you can type in a short page description for each of your pages created, except for the Blog page, which should be kept blank. We know have six pages—the five created and the already present About Page.

Fig 4: Sub-pages arranged by selecting appropriate Parent

Module 1 in our template has three pages associated with it. We create an additional three pages, as described above, except in this case we also need to configure these three pages so that they are recognised as sub-pages of Module 1. To do this, we select the Module 1 page as Parent page in the Page Attributes box, usually on the left hand column of the New Page. If you forget to do this now, you can always return at any stage to reconfigure a page by selecting Pages and choosing Edit for the page you wish to change from the list of pages shown. For each of the three new pages created: Module 1 Blogs; Artefact; Bibliography; we assign the Module 1 page as the parent in the Page Attributes option.

We have now created all of the Pages required according to our template. Clicking on Pages will show the list of pages in the Portfolio. You will also notice that the sub-pages are indented in a list beneath their parent page. Of course it is possible to extend this to sub-sub-pages and beyond by following a similar approach as described.

Before moving on to program each page, there is one default option that requires to be changed. After installation, WordPress automatically uses the blogroll as the homepage. As you will not yet have made any blog posts, it is probably a generic “Hello World” post that is posted on your homepage. To force WordPress to go to your new, real, homepage on typing in the portfolio URL, select Settings > Reading. In the options presented, choose “A static page” for the Front Page display and name that Front Page as “Home”­ the homepage just created above. We now also need to specify where the blog posts will go, and we can use “Blog”—the blog page specially created above to house these. After saving changes, when you type in the portfolio URL, the page should go to your new actual homepage.

It is worth reviewing progress made so far on the front end of the website. Depending on the theme installed (see below), your pages will be listed along the top or down the side of the website.[1] Usually, sub-pages are not shown or are activated by a drop-down menu. We will see later how additional customised menus can be added along with these page links, that are usually included by default. Click around the website to ensure that pages are as you expect them to be.

Posts

Fig 5: Add New Category

Up to this point, we have concentrated on the site architecture – the underlying structure of the portfolio. Before progressing, we need to make some blog posts (assuming you want to use this feature). Adding a Post is the same as adding a page, except we select Post > Add New. Give the post a name: e.g. “Module 1 Week 1 Reflections” and type in some content. Now, before saving, we need to categorise the post. On the right hand side of the page, there is a Category option. Click Add New Category and type in the name of your category – in the example below in Figure 5, I have called in “Discussion Boards”. Click “Add New Category”, un-tick “Uncategorized” and when you’ve finished typing your blog post, hit “Update”.

While you are here, make a second blog post with some nonsense content (you can delete them later), called “Module 1 Week 2 Reflections”, and assign it a category “VLEs”. In our template above, you notice that we wish to selectively pull in some posts on to one of the Module 1. This selection will be achieved by using categories. We will return to this below.

Links

In order to demonstrate the bibliography page, we need to add some weblinks. To do this, select Links > Add New. Add in 3-4 web links, giving them different link categories. If you wish to link to a journal, the most useful way is to link to the journal article on the journal’s page or give the DOI link.[2] The links on the bibliography page can then be easily incorporated using the WP Render Blogroll Links, below.

Putting it all Together

We have now completed the architecture and additional components required to finish the template shown in Figure 3. While it seems laborious, everything discussed can be done as you develop your portfolio, and the advantage of doing it as you go along means that when you come to the presentation stage, everything is automagically in place. You can decide what is viewable, and where it goes very easily.

Several pages (and posts) in our template just require normal text, images and other digital resources, These can be included using the standard WordPress editor—simply type in the text you wish, or click on the add image/media buttons to include pictures or media as with any web editor.

The bulk of the portfolio is usually built in this way. For embedding material, such as YouTube videos, copy the embed code from that website, and paste it into the editor. YouTube offers a range of embed sizes (e.g. 600 x 400) and the one you select will depend on the theme you choose for your portfolio (see below). Avoid choosing too large a size (> 600px in width) as while they may fit your theme and look good on your widescreen, remember your viewers who may have to look at it on a tiny tablet!

Two pages are left to complete: the selective category page and the bibliography by category page. These are best achieved by using Plugins. Plugins are extra bits of code written by third party agents that do specific tasks in WordPress. There are hundreds of thousands, and they vary in quality. Some useful ones for e-portfolios are listed below. It is not necessary to incorporate these straight away if you are a beginner, but the use of categories in blog posts and links, above, mean that when you do wish to include them, they will require very little work.

Useful Plugins for E-Portfolios

Some useful plugins are listed below. While it is not necessary to include all of these straight away, they do make for an easier life when your portfolio gets to be quite big in size.

List category posts plugin allows you to list blog posts on a page by category. For example, on our template, we wanted to only list one particular category on a page. After downloading List category posts and activating, posts for any category can be listed simply by typing in the code on the required page:

[catlist name=discussionboard]

will list all of the posts on the page which had the tag “Discussion Board”.[3] Of course it is possible to just simply type in these links, but the advantage of this method is that the page automatically updates every time you write a new blog post and tag it with the “Discussion Board” tag.

WP Render Blogroll Links is a similar plugin, except that it organises links by their category. To insert a list of links according to any category anywhere on a page or post, enter the code:

 [wp-blogroll always_show_names=1 catname=”Discussion Board”]

This code will list all the links given the category “Discussion Board”, showing the name of the link (rather than the URL). As with List Category Posts, it is possible to list all links by category, identify links by catid, etc. [4]

Fig 6: Broken Link Checker

Broken Link Checker is a very simple plugin that checks any link from your page and alerts you in the dashboard if that link doesn’t work. You can click to see what is wrong with link and modify if required from the dashboard, without having to re-enter the post/page. It is a must-have for every WordPress installation.

Askimet is a SPAM detector. If you plan to allow comments on your blog, then this is a must. It is already downloaded on installation and just needs to be activated with an Askimet API key. Step-by-step instructions are provided on installation.

Usernoise is a simple plugin that allows for a nice way for users to contact you without giving your email. It is also Spam resilient. I have found that in order to get email from a WordPress installation working, I have had to download HGK SMTP.

Restrict Content is a nice plugin that is a bit more subtle than WP Password mentioned earlier. It allows for you to restrict access to some of your site; pages, posts or even down to just some paragraphs while allowing others to be open view. Even more useful is that you can set it up so that different registered users (set up in Users > Add New) can have different levels of access—for example in a portfolio, you may wish peers, tutors, and external examiner to have different levels of what they see.

Showcasing your E-Portfolio

As the portfolio is usually always on view—even just to the tutor—organisation according to the template shown above will mean that it will be well-structured and easy to navigate. There are some final front end things to decide when presenting your portfolio. The first is the portfolios theme.

The great beauty of WordPress is that you can customise how your page looks by choosing one of thousands of themes. This is a good thing—you have lots of choice—and a bad thing—you have too much choice! Themes can be changed at any time, and if you are new to WordPress, I recommend that you stick with the pre-loaded theme (currently “Twenty Eleven”). The theme I use in my portfolio[5] is called “Portfolio” (coincidence!). The main decisions in choosing this theme were that it had a sharp layout and included drop-down menus for the sub-pages to allow for easy navigation. When you are ready to consider a new theme, choose Appearance > Install Themes and search until you find your perfect choice…!

Navigation is another key component of showcasing your portfolio. For this reason, I use the home page to list all of the main components of the portfolio, with links to these. The menu bar across the top is automatically added as new pages and sub-pages are created (and ordered using the number system, as explained above). New menus can be added in WordPress[6] easily using the Appearance > Menus Option. This allows you build a menu comprised of whatever you like: categories, pages, web links and so on.

There is a right hand column in my theme, which again shows some navigation options, and some important pages I want to stand out. WordPress uses Widgets to allow you place what you like in these side bars (assuming your theme choice has side bars—most do).

 

Figure 7: My e-portfolio using the Portfolio theme, showing drop-down menu for sub-pages of a page

Widgets are activated in the Appearance > Widget section of the dashboard. This uses a drag and drop mechanism to add widgets to your sidebar(s). For example, if you wanted to list all of your pages in the sidebar, simply drag the pages widget over and place it where you want. Because we have defined things by category (posts, links, etc) we can be quite specific about how we arrange the content in the sidebar using the available widgets. Common additions to sidebar include RSS feeds, Twitterfeeds (download a Twitter plugin (e.g. Twitter for WordPress) and after activating, this will be an option in the Widget area). I would suggest though that the aim of the sidebar in a portfolio is to aid navigation, not cram stuff in. I have left just the pages, and two areas I wanted to highlight—a reflective commentary and a feedback area.

Good luck with your e-portfolio. If you have any feedback on this guide, please let me know so I can improve for future versions!

Notes

[1] The order of pages as they appear in the menu can be changed, but it is clumsy. When editing a page, there is an option in Page Attributes called “Order”. The pages will appear left to right in increasing numerical order. Therefore, change these values (and Update to save), so that the numerical sequence matches that which you want. Feel free to leave gaps in the sequence, in case you decide to slot in a page as a later stage. It’s not great, but it’s all there is.

[2] See http://dx.doi.org/

[3] Note that WordPress creates a “slug” version of the category name (i.e. no caps and without spaces)—this is viewable in the categories list. Categories are also defined by number, and it is possible to use the number rather than the name by using [catlist id=24] for category number 24. See http://wordpress.org/extend/plugins/list-category-posts/other_notes/ for the extensive range of options with this plugin.

[5] My Portfolio is at: www.michaelseery.com/portfolio

[6] Assuming you have WordPress 3.0 or higher.

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My experiences of teaching online: A case study

My paper on taking a module that was taught in class and moved online has been published in CERP (free to access). The paper aims to share my own experiences in teaching a module online so that others considering this approach might find some information of use.

The paper is set against a background of what I consider to be a general disaffection for online teaching among staff and students. This is apparent from surveys by the DRHEA—which reports that the main use of VLEs is as content repositories; the UK HEA (pdf)—where students ranked “e-learning” as the least enjoyable and least effective method of teaching; and large scale US study which reports a disappointing level of criticality in considering the effectiveness of online engagement.

The rationale for moving the module online is presented. It was found from practice that the online version of the module opened up new possibilities, especially in the domain of transferable skills. A table of learning outcomes, and how they are aligned with assessment is given. Implementation of the module online followed Gilly Salmon’s Five-Stage model, which was useful in this case because the online delivery was supported primarily by discussion boards. Notes and reflections from my experience of implementation are incorporated.

Finally, evaluation aims to capture what went well and what could be improved—both from my own perspective and that of students. One of the great benefits was observing a growing sense of independence among the students, and their ability to move beyond structured problems to being able to tackle unfamiliar ones. Some suggestions about encouraging engagement from all students are presented.

If you read it, I hope you enjoy the paper. It has certainly been an interesting module to deliver over the last number of years. The fifth version of the online delivery begins in a few weeks!

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Student Feedback

One of the peculiar things about our system here is the process of student feedback. Students fill out a ridiculously long survey called a not-so-student-friendly “Q6A” for each module (and more usually for both of two lecturers in a module). This rates everything from the conditions of the room to the helpfulness of the lecturer, with some space for comments at the end. Thanks to our glorious comrades in the Teachers Union of Ireland, the Q6A responses are the property of the lecturer. Therefore to feed the information on to THE SYSTEM, said lecturer will—quite unbelievably in a society obsessed about transparency—complete a “Q6B” form, which aims to distill all the comments garnered from the Q6A and compile them into the Q6B for passing on to the Programme Chair, who then completes a Q5 Annual Monitoring of Programme Form, which has a (small) section for detailing feedback from all modules on the programme. The net result, even for honest brokers who dutifully complete a Q6A -> Q6B process, is that student feedback is lost in paperwork. So much so that even external reviewers recently commented that there is too much paperwork.

Undeterred, our glorious leaders in Institute management have decided to remove “paperwork” by making an online survey, which being generous, represents a misunderstanding of the external reviewers’ comments. This decision can’t have been inspired by a pilot study last year. In this, Q6C forms (I am honestly not making this up)—which of course are Head of School Survey of a Programme forms, also filled out by students—were completed in an online survey. The response was less than 10% across all four years of the programme I chair, but the QA office still sent us meaningless pie charts summarising meaningless responses.

The online survey for Q6A means that as lecturers, we won’t get to see sometimes quite useful responses on the students’ hand-written forms, which were the only really beneficial part of the form, as the response rate will plummet in the move online. To get around the ownership of Q6A, a “responsible person” is going to compile the information. Comrades… comrades! How can you allow this? Oh, I see you are too busy earning large salaries at the moment.

Of course the way around all this nonsense is just to talk to students directly. Michael Prosser has done some beautiful work on quality monitoring and enhancement, and he spoke last year at DIT (No comrades or glorious leaders present, of course). His basic argument was that if you want to find out how a programme is being delivered, talk to students. We certainly find that is true in our use of staff-student meetings each semester. No paperwork, no pie charts from QA— just a good discussion and exchange of opinion which can be used to enhance the teaching of a programme.

Comrades? Leaders? No, no one.

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Class Sizes and Student Learning

A recent discussion on an ALT email circulation raised the interesting question of whether there was a threshold for class sizes, above which student learning experience diminished. Unfortunately, what followed was lots of “in my experienceHigginbotham-esque replies (with the exception of details of an interesting internal survey at NUIG), despite the original query specifically requesting evidence-based information.

You up there—in the blue and white jumper—what do you think the answer is?

A clackety-clack into Google Scholar throws up some interesting results on this topic. Unsurprisingly, the general trend is that increasing class size diminishes students’ educational experience, although the extent to which this happens seems to be luke-warm. There are two issues to consider: what is being measured to reflect something like “educational experience”; and what is the discipline.

What students think

In this regard, an interesting paper that caught my eye was one that considered the effect of class sizes in various disciplines (Cheng, 2011). This work dismisses student grades in favour of three evaluation scores derived from students: student learning, instructor recommendations, and course recommendations. Student learning was scored based on a student response to a 5-point Likert scale question “I learned a great deal from this course”. (Many of you, including myself, may be tempted to run screaming for the hills at this point. What would students know?! Cheng does make the point that she is not saying that this measure is superior to student outcomes, just a different measure. She refers to Pike’s (1996) interesting paper on student self-reporting for a discussion on this. Also, Hamermesh’s paper (2005) is worth a read for the title alone—in short, good looking lecturers get better ratings.)

Overall Data

Anyway, Cheng has amassed an impressive data set. “In total, the data span 24 departments, 2110 courses, 1914 instructors, and 10,357 observations from Fall 2004 to Spring 2009.” Before considering subject, on an overall level, Cheng found that for each of her three ratings, ratings fell as class sizes increased (although the smallest class sizes received both lowest and highest marks). Cheng has further used her data to generate a model to predict how student “learning” (**measured as outlined above**), instructor and course recommendations would change, so that for an increase of 50 in class size, these ratings would decrease by 1.4%, 1.3%, and 1.1% respectively. Of course, some disciplines will have smaller class sizes or may require more class-tutor interaction, so Cheng has drilled down into each discipline and determined if it is negatively or positively affected, or indeterminately effected (i.e. mixed results)

Subject Specific

In the sciences, chemistry, biology, physics and maths were unaffected by increasing class size in this model, as were history, philosophy, and visual arts. Almost half of the disciplines surveyed were inconclusive, some showed negative effects: some engineering disciplines, political science, social science. No discipline benefits from increasing enrollment.

Chemistry

Cheng considers that theoretical subjects such as the sciences may have a low correlation with class size, but rather depends on other factors, such as quality of instructor or student effort. While I think there are flaws, or at best limitations to this study (as Cheng acknowledges), it does open up interesting questions. The one I am interested in is the culture of teaching chemistry, which is fiercely traditional. That this data suggests that an increasing class size would have little effect on ratings measured here in a chemistry class would in turn suggest that its teaching is still very much based on a teacher-centred philosophy. Clickers, anyone?

References

  • Cheng, D. A. Effects of class size on alternative educational outcomes across disciplines, Economics of Education Review, 2011, 30, 980–990.
  • Hamermesh, D., & Parker, A. Beauty in the classroom: Instructors’ pulchritude and putative pedagogical productivity. Economics of Education Review, 2005, 24, 369–376.
  • Pike, G. R. Limitations of using students’ self-reports of academic development as proxies for traditional achievement measures, 1996, Research in Higher Education, 37, 89-114.

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